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Founding the Black Cultural Center, 1984–1989

How UNC’s Black Cultural Center grew from a 1984 planning committee into a department of Student Affairs: the fight over space in the Carolina Union, the 1986 proposal and Boulton’s plan, the 1987 pre-opening, Margo Crawford’s start as director in 1988, the first programs and the Black Student Movement’s push for a permanent building.

A planning committee formed in 1984 sought a Black Cultural Center at UNC, and the Black Student Movement objected as the plan shrank to about 1,500 square feet in the Carolina Union. The center held a pre-opening in 1987 and opened on July 1, 1988 under director Margo Crawford. The BSM pressed for a permanent building, and in 1989 planners released a feasibility study for one.

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The full story

A Black Cultural Center Planning Committee of Black Student Movement members, administrators and faculty, formed with the help of Vice Chancellor Donald Boulton, held its first meeting in the Carolina Union on April 19, 1984. The BSM sought the Union's vacant Fastbreak area for the center, and when the Union chose by September 1985 to make it a lounge and programming area, BSM President Sibby Anderson said the center was being offered 'a little corner.' Associate Dean Hayden B. Renwick said the plan had shrunk since Boulton outlined it two years earlier. On October 4 the 14-member steering committee formed a subcommittee to look for a site on campus and approved a job description for a director; member Sonja H. Stone, an associate professor of Afro-American studies, said the draft would not be released.

That fall, in a remodeling of the Union, the first-floor vending machines were moved into the old Fastbreak area to reserve their space for the center. In December Boulton said his office had set aside about 1,500 square feet there and start-up money for a director, a secretary and supplies, should the committee's proposal call for a center; Anderson and other members doubted the commitment, since their draft described a much larger center. On January 24, 1986, after about 21 months of work, the committee met to finish its proposal for a permanent center for the study and preservation of Black culture, with a library, performing arts space and room for resident artists, and it sent the proposal to Boulton on February 7. On April 22 Boulton told committee members the center would take about 1,500 square feet at the south end of the Union's first floor, with $13,000 for renovation and a three-year Student Affairs commitment to pay a director and a secretary. A BSM president later wrote that the plan for a building of about $750,000 had shrunk to a small lounge in the student union.

On January 21, 1987 the planning committee approved a floor plan for the center across from the Union's TV lounge. Its consultant, William Jones of Florida State University, warned that without support from the wider administration the University's response could be seen as trivializing the proposal. In October the committee began a national search for a director, and on October 28 about 60 students gathered in the space for the center's pre-opening, where Stone spoke on Black students as heirs to and founders of Afro-American culture. By March 1988 the University had spent $25,000 to furnish the center, Boulton told BSM president Kenneth Perry.

In April UNC named Margo Crawford of Chicago, chosen from 60 applicants by a search committee under associate vice chancellor Edith Wiggins, the center's first director; she said trustees chairman Bob Eubanks wanted it to become the leading collegiate center in the nation. On July 1, 1988 the Black Cultural Center became a department in the Division of Student Affairs and Crawford took office, with $73,000 budgeted for its first year in the temporary Union space. On October 24 Duke professor of religion C. Eric Lincoln opened its Monday Night Black Culture Lecture Series before about 200 people in Memorial Hall. On October 27 the Department of Athletics gave the center $15,000, and athletic director John Swofford said it shared the department's goal of better racial understanding. On November 20, Pauli Murray's birthday, the center held a tribute to her at the Chapel of the Cross, where Floyd McKissick was among the speakers. By early 1989 it was running several programs a month and publishing a newsletter, Word.

The Black Student Movement pressed for a permanent building and a lasting budget. Fearing the Union space would become permanent, it resolved under Perry on October 5, 1988 that the University should choose a permanent site by January 31, 1989 and begin construction by January 31, 1990. On October 27 trustee John Pope questioned the need for the center at a trustees' committee meeting after Crawford's presentation, suggesting that students who wanted such a center might attend a Black university. On November 9 the Facilities Planning Committee endorsed the BSM's proposal for a permanent center of up to 13,000 square feet, larger than the 8,548 square feet sought in February 1986, as a focal point for Black cultural expression, a tool for recruiting and keeping minority students and a link to the surrounding community. On November 30 BSM members voted not to ask for interim space, fearing a larger temporary site could stand in for a permanent one. On December 9 the trustees voted 11 to 0 to recognize the center's successful beginning and encouraged its planning committee to plan adequate space; Black Ink reported that Pope left the meeting before the vote.

In the fall of 1989 delegates from the center decided to form a UNC Collegiate Black Caucus, open to students of any race, after 13 UNC students attended the Congressional Black Caucus weekend in Washington. In November the planning committee released a feasibility study for a permanent 23,000-square-foot center with an art gallery, library and media room at a projected cost of about $3 million, weighing a renovation of Howell Hall, an expansion of the Union or a freestanding center.

In the chronology

Events in this storyline, in date order. See these 24 dated events in the chronology →

  1. A planning committee for a Black Cultural Center holds its first meeting A Black Cultural Center Planning Committee, formed in April 1984 with the help of Vice Chancellor Donald Boulton and including BSM members, administrators and faculty, held its first meeting in the Carolina Union on April 19, 1984. It issued its first proposal for a center in 1985. Place: Carolina Union, University, Chapel Hill · Also named: Donald BoultonBlack Ink (Black Student Movement, UNC), August 31, 1992, p. 3
  2. The Black Student Movement objects as the Union's Fastbreak space goes to a lounge instead of a Black cultural center The Black Student Movement, which had sought the vacant Fastbreak area of the Student Union for a Black cultural center, objected when the Carolina Union chose to make it a lounge and programming area; BSM President Sibby Anderson said the center was being offered 'a little corner.' Associate Dean Hayden B. Renwick said the plan had shrunk since Vice Chancellor Donald A. Boulton outlined it two years earlier, while a steering committee of students and administrators worked to define the center. Place: Carolina Union, UNC, Chapel Hill · Also named: Sibby Anderson, Hayden B. Renwick, Donald A. BoultonThe Daily Tar Heel, September 19, 1985, p. 1
  3. The Black Cultural Center steering committee forms a space subcommittee and approves a director's job description The 14-member Black Cultural Center steering committee formed a four-member subcommittee to study space needs and look for a site on campus, and approved a job description for a center director to go into its proposal to Vice Chancellor Donald A. Boulton. Committee member Sonja H. Stone, an associate professor of Afro-American studies, said the rough draft would not be released. People: Sonja Haynes Stone Place: UNC campus, Chapel Hill · Also named: Donald A. Boulton · Also mentions: Black Cultural CenterThe Daily Tar Heel, October 7, 1985, p. 3
  4. Carolina Union moves its vending machines to reserve space for a Black Cultural Center As part of a $150,000 remodeling of the Student Union, the first-floor vending machines were moved into the old Fastbreak area to reserve their space for the Black Cultural Center, Union director Howard Henry said. The remodeling, due by the end of the spring 1986 term, also planned a cabaret with a non-alcoholic bar ahead of the rise in the drinking age. Place: Carolina Union, University, Chapel Hill · Also named: Howard Henry · Also mentions: Black Cultural CenterThe Daily Tar Heel, November 14, 1985, p. 1
  5. UNC Student Affairs reserves Union space and start-up money for a Black Cultural Center Vice Chancellor Donald A. Boulton said in a December interview that his office had set aside start-up money for a director, a secretary and supplies and about 1,500 square feet of Student Union space, where vending machines had stood, should the Black Cultural Center committee's proposal call for a center. BSM President Sibby Anderson and other members of the committee, formed in April 1984, doubted the commitment, since their draft described a much larger center. Place: Frank Porter Graham Student Union, UNC, Chapel Hill · Also named: Donald A. Boulton, Sibby Anderson · Also mentions: Black Cultural CenterThe Daily Tar Heel, January 24, 1986, p. 1
  6. The Black Cultural Center steering committee meets to finish its proposal After about 21 months of work the steering committee met to finalize its proposal for a permanent center for the study and preservation of Black culture, with a library, performing arts space and room for resident artists. The Black Student Movement's president later wrote that the plan for a building of about $750,000 shrank to a small lounge in the student union. Place: University, Chapel HillBlack Ink (Black Student Movement, UNC), September 4, 1990, p. 6 · Also: The Daily Tar Heel, January 27, 1986, p. 1; The Daily Tar Heel, February 3, 1986, p. 1
  7. Vice Chancellor Boulton sets out a plan for a Black Cultural Center in the Carolina Union Meeting eight members of the Black Cultural Center Planning Committee on April 22, 1986, Vice Chancellor Donald A. Boulton gave an interim report on the proposal they had sent him on February 7. The center was to take about 1,500 square feet at the south end of the Union's first floor, with $13,000 for renovation and a three-year Student Affairs commitment to pay a director and secretary, and he asked Dean Gillian Cell to bring the College of Arts and Sciences into the planning. Place: Carolina Union, University, Chapel Hill · Also named: Donald A. Boulton, Gillian Cell · Also mentions: College of Arts and SciencesBlack Ink (Black Student Movement, UNC), April 29, 1986, p. 1
  8. Black Cultural Center planners approve a floor plan for space in the Carolina Union UNC's Black Cultural Center planning committee met to discuss a consultant's report by William Jones of Florida State University and approved a floor plan for the center across from the Union's TV lounge. Jones warned that without support from the wider administration the University's response could be seen as trivializing the proposal; workers had begun walling off the space the week before. Place: Carolina Union, University, Chapel Hill · Also named: William JonesThe Daily Tar Heel, January 23, 1987, p. 1
  9. The Black Cultural Center planning committee begins a national search for a director The planning committee for the Black Cultural Center, faculty and Black Student Movement members among them, met to start recruiting a director through a national advertising campaign, with Vice Chancellor Donald Boulton forming a search committee. The director was to take office July 1, 1988, when work on the center's space beside the Carolina Union's west TV lounge was to begin; meanwhile the committee would furnish the space by spring. Place: Carolina Union, UNC, Chapel Hill · Also named: Donald Boulton · Also mentions: Black Cultural CenterThe Daily Tar Heel, October 9, 1987, p. 3
  10. Sonja Stone speaks at a pre-opening of the Black Cultural Center in the Student Union About 60 students gathered in the part of the Student Union set aside for the Black Cultural Center for its pre-opening, where Sonja Stone, associate professor of African and Afro-American studies, spoke on Black students as heirs to and founders of Afro-American culture. The center's programming committee was taking applications for a director, to be chosen in May, and the center was to open officially in July when the director took charge. Place: Carolina Union, Chapel Hill · Also named: Sonja Stone · Also mentions: Black Cultural CenterThe Daily Tar Heel, October 29, 1987, p. 3
  11. UNC spends $25,000 furnishing the Black Cultural Center and interviews for its director Responding to BSM president Kenneth Perry, Vice Chancellor Donald Boulton said the University had spent $25,000 to furnish the Black Cultural Center, had ordered furniture and had interviewed five of six candidates for director, who was to be hired by April 15. Place: University, Chapel Hill · Also named: Donald Boulton, Kenneth Perry · Also mentions: Black Cultural CenterThe Daily Tar Heel, March 18, 1988, p. 1
  12. Margo Crawford is named the first director of UNC's Black Cultural Center UNC named Margo Crawford of Chicago, chosen from 60 applicants by a search committee under associate vice chancellor Edith Wiggins, the first director of the Black Cultural Center, to start July 1. Crawford, a former assistant professor of Afro-American studies at Northeastern Illinois University then working at the Frank Porter Graham Child Development Center, said trustees chairman Bob Eubanks wanted the center to become the leading collegiate center in the nation; the planning committee meant to move it from its temporary Union space to a larger site. Place: Black Cultural Center, Carolina Union, Chapel Hill · Also named: Margo Crawford, Edith Wiggins, Bob Eubanks · Also mentions: Frank Porter Graham Child Development CenterThe Daily Tar Heel, April 19, 1988, p. 1
Show all 24 dated events
  1. UNC formally opens the Black Cultural Center in the Carolina Union under its first director On July 1, 1988 the Black Cultural Center became a department in the Division of Student Affairs, and Margo Crawford, a former Afro-American history teacher at Northeastern Illinois University, took office as its first director. The center had used a small space on the Carolina Union's first floor since a pre-opening in October 1987, run by a programming committee while the director's post was vacant. By early 1989 it was running several programs a month and publishing a newsletter, Word. Place: Carolina Union, University, Chapel Hill · Also named: Margo Crawford · Also mentions: Black Cultural CenterBlack Ink (Black Student Movement, UNC), March 31, 1989, p. 8 · Also: The Daily Tar Heel, February 12, 1988, p. 3
  2. Margo Crawford begins work as director of the Black Cultural Center Margo Crawford started work in July as director of UNC's new Black Cultural Center, housed for the time in the Carolina Union with $73,000 budgeted for its first year of programs and operations. In September the Black Student Movement pressed for the permanent building and lasting budget its proposal had asked for. Place: Black Cultural Center, Carolina Union, UNC, Chapel Hill · Also named: Margo Crawford · Also mentions: Carolina UnionThe Daily Tar Heel, September 8, 1988, p. 4
  3. The BSM sets deadlines for a permanent Black Cultural Center Fearing the temporary space in the Union would become permanent, the Black Student Movement under president Kenneth Perry passed a resolution calling on the university to choose a permanent site for the Black Cultural Center by January 31, 1989 and begin construction by January 31, 1990. In December 1988 the BSM rejected another interim location. Place: University, Chapel Hill · Also named: Kenneth Perry · Also mentions: Black Cultural CenterBlack Ink (Black Student Movement, UNC), September 4, 1990, p. 7
  4. C. Eric Lincoln opens the Black Cultural Center's Monday night lecture series Duke professor of religion C. Eric Lincoln gave the first talk in the Black Cultural Center's new Monday Night Black Culture Lecture Series, telling about 200 people in Memorial Hall that America had denied Black people the opportunities it gave whites and reading from his poetry. BCC director Margo Crawford said the monthly series was meant as a bank of knowledge about Black culture and that the center had waited so that Lincoln, whom she called the first Black student at UNC, could open it. Place: Memorial Hall, UNC, Chapel Hill · Also named: C. Eric Lincoln, Margo CrawfordThe Daily Tar Heel, October 25, 1988, p. 1
  5. The athletic department gives the Black Cultural Center $15,000 UNC's Department of Athletics gave $15,000 to the Black Cultural Center, which athletic director John Swofford said shared the department's goal of better racial understanding. People: John Swofford Place: Black Cultural Center, University, Chapel HillBlack Ink (Black Student Movement, UNC), December 5, 1988, p. 2
  6. Trustee John Pope questions the need for a Black Cultural Center UNC trustee John Pope questioned the need for a Black Cultural Center and, in a Chapel Hill Herald article of October 28, said it might push the races further apart. A Daily Tar Heel editorial put his remark at the trustees' Academic and Student Affairs Committee on Thursday, October 27, 1988, where, after director Margo Crawford's presentation, he suggested that students who wanted such a center might attend a Black university. Black Ink reported that Pope left the December 9 trustees' meeting before its 11-0 vote supporting the center. Place: Chapel Hill · Also named: John Pope, Margo Crawford · Also mentions: Black Cultural CenterBlack Ink (Black Student Movement, UNC), February 9, 1989, p. 6 · Also: The Daily Tar Heel, October 31, 1988, p. 10
  7. Black Cultural Center planning committee endorses the BSM's proposal for a permanent center The Black Cultural Center Facilities Planning Committee endorsed the Black Student Movement's proposal for a permanent center of up to 13,000 square feet, larger than the 8,548 square feet sought in a February 1986 proposal, to serve as a focal point for Black cultural expression, a tool for recruiting and keeping minority students and a link to the surrounding community. Vice Chancellor Donald Boulton was to take the recommendation to the trustees on Dec. 9. Place: UNC campus, Chapel Hill · Also named: Donald BoultonThe Daily Tar Heel, November 11, 1988, p. 1
  8. The Black Cultural Center honors Pauli Murray at the Chapel of the Cross On her birthday the Black Cultural Center held a tribute to Pauli Murray at the Chapel of the Cross, where about 80 people heard friends recall her and read her poetry. Speakers included Phillips Junior High teacher Lee Kessler, who helped get Proud Shoes reissued, and Floyd McKissick, the first Black student admitted to the UNC law school. People: Pauli Murray Place: Chapel of the Cross, East Franklin Street, Chapel Hill · Also named: Lee Kessler, Floyd McKissick · Also mentions: Black Cultural CenterSearch the index · Black Ink (Black Student Movement, UNC), December 5, 1988, p. 4
  9. Black Student Movement votes not to seek interim space for the Black Cultural Center At a general body meeting on November 30, 1988, Black Student Movement members voted not to ask University officials for interim space for the Black Cultural Center, fearing a larger temporary site could stand in for a permanent one, and to press instead for a permanent location. BSM president Kenneth Perry also reported that only 12 of 269 Black students answered all seven questions on a November 17 BSM survey about the movement and the center correctly. Place: University, Chapel Hill · Also named: Kenneth Perry · Also mentions: Black Cultural CenterThe Daily Tar Heel, December 1, 1988, p. 1
  10. UNC trustees pass a resolution supporting the Black Cultural Center The Board of Trustees voted 11 to 0 to recognize the successful beginning of the Black Cultural Center and encouraged its Facility Planning Committee to plan adequate space. In 1992 the BSM president held up the resolution against the chancellor's refusal of a freestanding building. Place: University, Chapel Hill · Also mentions: Black Cultural CenterBlack Ink (Black Student Movement, UNC), February 18, 1992, p. 10
  11. Black Cultural Center delegates form the UNC Collegiate Black Caucus After 13 UNC students attended the Congressional Black Caucus weekend in Washington on Sept. 13-16, delegates from the Black Cultural Center decided to form a UNC Collegiate Black Caucus to mobilize students on campus, local, national and international issues, with its own campus recognition and open to students of any race. BCC director Margo Crawford said the group would link organizations with similar missions; four delegates were chosen for the National Collegiate Black Caucus's constitutional convention in Atlanta in early November. Place: Black Cultural Center, Carolina Union, Chapel Hill · Also named: Margo CrawfordThe Daily Tar Heel, October 17, 1989, p. 3
  12. Planners release a feasibility study for a permanent Black Cultural Center The Black Cultural Center planning committee released a feasibility study for a permanent 23,000-square-foot center with an art gallery, library and media room, at a projected cost of about $3 million. Options discussed included renovating Howell Hall, expanding the Union or building a freestanding center. Place: University, Chapel Hill · Also mentions: Howell Hall, Black Cultural CenterBlack Ink (Black Student Movement, UNC), September 4, 1990, p. 7 · Also: The Daily Tar Heel, October 31, 1989, p. 8; The Daily Tar Heel, February 2, 1990, p. 1

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Reading on the places and people in this storyline

No indexed work is about this storyline itself yet. These are about the sites and people its dated events name, those named most often first, so they may discuss the storyline only in part. Follow a link to find a copy or view the material.

About Sonja Haynes Stone Center (Black Cultural Center) · named in 22 of this story’s entries

Don't believe the hype : the misrepresentation of the facts by the media concerning the construction of the Dr. Sonja Haynes Stone free-standing BCC

Merritt, David · 1994

David Merritt's 1994 production argues that press coverage misrepresented the facts of the campaign for a free standing Black Cultural Center named for Dr. Sonja Haynes Stone at the University of North Carolina at Chapel Hill. It runs about 52 minutes and is accompanied by a text of sixteen leaves with five preliminary pages. Topics include African American students at the university and race relations.

Icons of Power and Landscapes of Protest

Roseboro, Donyell L. · 2005

Donyell L. Roseboro's 2005 doctoral dissertation on the student movement for the Sonja Haynes Stone Center for Black Culture and History at the University of North Carolina at Chapel Hill. It examines African American student activism and student organizations on the Chapel Hill campus. A typescript of 307 leaves with illustrations, distributed through UMI.

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The Sonja Haynes Stone Center for Black Culture and History : the University of North Carolina at Chapel Hill.

University of North Carolina at Chapel Hill. Office of University Development · 2003 · Office of University Development

A promotional sheet on the Sonja Haynes Stone Center for Black Culture and History, issued in 2003 by the Office of University Development at Chapel Hill. One folded sheet of three unnumbered pages with illustrations, 28 by 44 centimeters. Topics include the center itself and the buildings of the University of North Carolina at Chapel Hill.

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The Sonja Haynes Stone Black Cultural Center.

1993

A 1993 report on the Sonja Haynes Stone Black Cultural Center at Chapel Hill, based on the deliberations of the Black Cultural Center Working Group and the center's advisory board, with the endorsement of the working group alone. Twenty three pages and twelve unnumbered leaves, including a folded map. Topics include African American college students in Chapel Hill and university buildings.

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About Chapel of the Cross · named in one of this story’s entries

The Church of the Atonement and the Chapel of the Cross at Chapel Hill

Henderson, Archibald · 1938

Archibald Henderson's history of the Episcopal congregation in Chapel Hill, the Church of the Atonement and the Chapel of the Cross, as the title names them. A short work of Chapel Hill church history and of the Episcopal Church in North Carolina, published in Hartford, Connecticut, by the Church Missions Publishing Company in 1938, 57 pages with illustrations and portraits. One copy carries the author's presentation inscription to the North Carolina State Library.

The first parish register of the Chapel of the Cross (1842-1881)

2024 · Chapel Hill Historical Society

Transcription of the first register kept by Chapel of the Cross, the Episcopal parish on Franklin Street in Chapel Hill, with its entries from 1842 to 1881. Published by the Chapel Hill Historical Society in 2024 with an introduction and a bibliography, 142 pages with illustrations and portraits.

Chapel of the Cross : calendar 1996.

1996 · Chapel of the Cross

Wall calendar for 1996 made by two Chapel of the Cross choristers, Jane Hamborsky and Margaret Middleton, who photographed architectural details of the Gothic Revival church in Chapel Hill. Thomas U. Walter designed the chapel, which went up from 1843 to 1848. Black-and-white photographs, from the Images of North Carolina collection.

The word of love : preaching in the ministry of Stephen Elkins-Williams

Elkins-Williams, Stephen, 1944- · 2015 · iUniverse

Sermons preached by Stephen Elkins-Williams during his ministry at the Chapel of the Cross in Chapel Hill, collected in 329 pages and published by iUniverse in 2015. Bishop Michael B. Curry and the Reverend Tambria Elizabeth Lee contributed forewords. Illustrations accompany the text.

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About Sonja Haynes Stone · named in 2 of this story’s entries

Milestones : the Sonja Haynes Stone Center for Black Culture and History grand opening celebration, the University of North Carolina at Chapel Hill : August 20-23, 2004.

Sonja Haynes Stone Center for Black Culture and History · 2004 · UNC, the Sonja Haynes Stone Center for Black Culture and History

Four days of events, from 20 to 23 August 2004, marked the grand opening of the Sonja Haynes Stone Center for Black Culture and History at Chapel Hill, and this twenty six page illustrated program lays them out. The center issued it.

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Sonja Haynes Stone Center for Black Culture and History records, 1984-2013.

Sonja Haynes Stone Center for Black Culture and History · 1984

Organizational records of the Sonja Haynes Stone Center for Black Culture and History, 1984 to 2013, roughly 10,500 items across 12.5 linear feet in the University Archives at UNC, collection 40341. Topics include African American students at Chapel Hill, race relations at the university, student movements, the building itself, and Sonja Haynes Stone (1938-1991), for whom the center is named.

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Business as usual at North Carolina.

Madzimoyo, Wekesa Olatunji · 1980 · Council on Learning

An article by Wekesa Olatunji Madzimoyo on race relations and African American students at the University of North Carolina at Chapel Hill, printed in Change for January 1980 and separately issued by the Council on Learning. It follows an earlier piece by Randall Williams on the same campus. Sonja Haynes Stone is among the people discussed. Nine pages.

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Southeastern Black Press Institute Records, 1976-1979

Southeastern Black Press Institute · 1976

The Southeastern Black Press Institute is documented here by about 200 items in one linear foot covering 1976 to 1979, in the University Archives at UNC, collection 40502. Topics include the African American press in the 20th century, the study and teaching of journalism, the curricula of the University of North Carolina at Chapel Hill, and Sonja Haynes Stone, 1938 to 1991. In English.

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From the wider story: Black student activism at UNC · works on the history this story is part of

Oral history interview with Daniel H. Pollitt, March 21-22, 1991: interview L-0064-6, Southern Oral History Program Collection (#4007)

Pollitt, Daniel H. · 2008 · University Library, UNC-Chapel Hill

Sixth Pollitt interview, recorded March 21 and 22, 1991, by Ann McColl, about an hour long. Its single subject is the 1969 strike by food service workers at UNC, which Pollitt supported. He sets the strike in its local and national context, the labor and civil rights currents of the late 1960s, then follows how it unfolded among the workers, their union backers, the faculty and the university administration. Published online in 2008 by the UNC-Chapel Hill Library in Documenting the American South.

I raised my hand to volunteer: students protest in 1960s Chapel Hill : an exhibit of the Manuscripts Department in the Wilson Library

Hollingsworth, Biff · 2007

Catalog of an exhibit mounted by the Manuscripts Department of Wilson Library from January 23 to May 31, 2007, on student protest in Chapel Hill during the 1960s. Topics include civil rights demonstrations, the Speaker Ban Law, the Black Student Movement, restaurant strikes and Vietnam War protests at the university. Compiled by Biff Hollingsworth, 59 pages with illustrations and facsimiles, published by the university library.

Oral history interview with Ashley Davis, April 12, 1974: interview E-0062, Southern Oral History Program Collection (#4007)

Davis, Ashley · 2007 · University Library, UNC-Chapel Hill

Ashley Davis, who entered UNC in 1968 and joined the Black Student Movement, recalls the 1969 strike by the university's cafeteria workers and the BSM's decision to stand with them when the workers asked. Recorded April 12, 1974, by Russell Rymer for the Southern Oral History Program, the hour-and-a-half interview touches on Chancellor J. Carlyle Sitterson, the Southern Student Organizing Committee and race relations among students on campus. Published online in 2007 by the UNC-Chapel Hill Library in Documenting the American South.

Oral history interview with Elizabeth Brooks, October 2, 1974: interview E-0058, Southern Oral History Program Collection (#4007)

Brooks, Elizabeth · 2006 · University Library, UNC-Chapel Hill

Elizabeth Brooks, a cafeteria worker at UNC and a leader of the 1969 food workers' strike, speaks in a Southern Oral History Program interview recorded October 2, 1974, by Beverly Jones. Born in Caswell County, Brooks had made her home in Hillsborough since 1949 and raised nine children before her first paid job, at the university. She describes the strike, the Black Student Movement's support for the workers, and the response of Governor Robert W. Scott. Published online in 2006 in Documenting the American South.

It Wasn't Slavery Time Anymore: Foodworkers' Strike at Chapel Hill, Spring 1969

Williams, J. Derek · 1979

J. Derek Williams's 1979 study of the 1969 strike by cafeteria workers at the University of North Carolina at Chapel Hill, examining a chapter in the university's labor and Black history. A typescript of 270 leaves with a bibliography.

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Progress and protests : UNC-Chapel Hill leaders during "the Long Sixties" (1957-1972) : covering chancellors William Brantley Aycock, Paul F. Sharp, and J. Carlyle Sitterson

Roundtree, Lynn · 2024 · Lynn Roundtree

Lynn Roundtree covers the University of North Carolina at Chapel Hill between 1957 and 1972 through its three chancellors, William Brantley Aycock, Paul F. Sharp and J. Carlyle Sitterson, set against the student movements of those years. Part of the Coates university leadership series, published by the author in 2024 and running to 926 pages. It is twentieth century campus history.

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Show 6 more

Diaspora Festival of Black and Independent Film : our diaspora : where every life is an epic story

Diaspora Festival of Black and Independent Film (2017 : Sonja Haynes Stone Center for Black Culture and History) · 2017 · UNC, the Sonja Haynes Stone Center for Black Culture and History

Program calendar for the 2017 Diaspora Festival of Black and Independent Film, presented in the fall by the Sonja Haynes Stone Center for Black Culture and History at Chapel Hill and tied to the campus Arts Everywhere initiative. Topics include film festivals in Chapel Hill and Black people in the motion picture industry, so the leaflet records what the festival screened that season.

UNC

BSM 40th movie

Sykes, D. (Derek) · 2007

Derek Sykes's film marking the fortieth anniversary of the Black Student Movement at the University of North Carolina at Chapel Hill, made in 2007 and first issued in electronic form. Topics include African American student movements and African American students, so the piece records four decades of Black student organizing on the Chapel Hill campus.

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I raised my hand to volunteer : students protest in 1960s Chapel Hill.

2007 · University of North Carolina at Chapel Hill

Account of student protest in 1960s Chapel Hill, published by the University of North Carolina at Chapel Hill in 2007 with illustrations. It draws together the civil rights movement and segregation in the town, discrimination in restaurants, academic freedom and university autonomy, protest against the Vietnam War, Students for a Democratic Society and the Black Student Movement on campus.

UNC

Milestones

Sonja Haynes Stone Black Cultural Center · 2004 · Sonja Haynes Stone Black Cultural Center

Milestones is the newsletter of the Sonja Haynes Stone Black Cultural Center at the University of North Carolina at Chapel Hill, published by the center and dated 2004. African American students in Chapel Hill and the center itself are its subject. As a serial it carries programs, speakers and news of Black student life on campus.

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Program guide

2004 · Sonja Haynes Stone Black Cultural Center

The program guide of the Sonja Haynes Stone Black Cultural Center at Chapel Hill, issued in illustrated volumes and recorded from 2004, with the 2000 to 2001 issue lacking that title.It concerns African American students and their societies and clubs. Volumes range from 18 to 26 cm.

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Sauti mpya : the literary magazine of The Sonja Haynes Stone Black Cultural Center.

2004 · The Sonja Haynes Stone Black Cultural Center

Literary magazine of the Sonja Haynes Stone Black Cultural Center at the University of North Carolina at Chapel Hill, published from 2004. Topics include American literature by African American authors in North Carolina and student periodicals in Chapel Hill, so the issues carry student poetry and prose. Volumes with illustrations, 22 to 28 cm.

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