A study of sixteen Cypriot sculptures in the Ackland Art Museum
Sixteen Cypriot sculptures in the Ackland Art Museum, the university art museum in Chapel Hill, described and analyzed by Gloria R. Park in 2000. Bibliography on leaves 80 to 83.
University buildings and grounds
In Chapel Hill. 5 dated events, 1949–2019.
Map tiles © OpenStreetMap contributors. Site locations from the N.C. State Historic Preservation Office survey, Open Orange and OpenStreetMap; town and community pins mark the middle of their mapped buildings.
Books, articles, records and pictures in the index about Ackland Art Museum, found by its names in titles, catalog subjects and the index’s descriptions, and read one by one. Those held at OCPL come first.
Sixteen Cypriot sculptures in the Ackland Art Museum, the university art museum in Chapel Hill, described and analyzed by Gloria R. Park in 2000. Bibliography on leaves 80 to 83.
An Ackland Art Museum publication of 1999 on Joseph Curtis Sloane, who directed the museum in Chapel Hill from 1959 to 1978, built around works acquired during his directorship. It doubles as an account of how the Ackland's collection took shape.
Feasibility study of November 1980 for renovating the Ackland Art Museum at the University of North Carolina in Chapel Hill, prepared by the Winston-Salem firm Newman Calloway Johnson VanEtten Winfree with McMichael and McCracken of Chapel Hill as consulting engineers. Thirty-one pages and eighteen unnumbered leaves with illustrations, treating art museum architecture and the museum's own building.
Published by the Ackland Art Center at the University of North Carolina in 1966, a short account of the art center on the Chapel Hill campus. Topics include art in Chapel Hill and the William Hayes Ackland Memorial Art Center, making it a brief institutional publication from the center's first decade of operation.
John Emil Larson's account of William Hayes Ackland, published in 1958 for the dedication of the William Hayes Ackland Memorial Art Center at the University of North Carolina on September 20 of that year. Topics include Ackland himself and art at Chapel Hill, so the pamphlet introduces the benefactor whose bequest founded the campus art museum.
Material about the Ackland Art Museum at the University of North Carolina at Chapel Hill.
Outside view of the Ackland Art Museum on the University of North Carolina campus in Chapel Hill, photographed 6 May 2002 for the North Carolina ECHO project.
Student work 'Bush's Mishap' by Simon Haake Miles and Mike Walter of Guy B. Phillips Middle School, on view in the Ackland Art Museum's children's art exhibit in Chapel Hill. North Carolina ECHO project photograph, 6 May 2002.
Exhibit label for 'Bush's Mishap', a student work in the Ackland Art Museum's children's art show, based on a bust in the museum's gallery of 19th century European art. Photographed in Chapel Hill on 6 May 2002 by the North Carolina ECHO project.
Children's art exhibit at the Ackland Art Museum in Chapel Hill, May 2002. Each child made a work based on a piece seen on a museum tour, and each label paired a picture of that source piece with the child's own comments. North Carolina ECHO project photograph, 6 May 2002.
Shelves of art auction catalogs, part of a large collection kept by the Ackland Art Museum at UNC-Chapel Hill. Photographed 6 May 2002 for the North Carolina ECHO project.
Ackland Art Museum assistant director of collections Timothy Riggs in the museum classroom, a room used for staff research and by visiting students. North Carolina ECHO project photograph taken in Chapel Hill on 6 May 2002.
Paper conservation area of the Ackland Art Museum at the University of North Carolina at Chapel Hill, photographed 6 May 2002 during a North Carolina ECHO project visit.
Timothy Riggs, the Ackland Art Museum's assistant director of collections, talking about the museum's collection storage area in Chapel Hill. North Carolina ECHO project photograph, 6 May 2002.
Eugène Delacroix's painting 'Cleopatra and the Peasant' in the permanent collection of the Ackland Art Museum, UNC-Chapel Hill, photographed 6 May 2002 by the North Carolina ECHO project. Delacroix lived from 1798 to 1863.
Gallery view of works from the Ackland Art Museum's permanent collection on display at the University of North Carolina at Chapel Hill, taken 6 May 2002 for the North Carolina ECHO project.
Community Voices, a bulletin board and reading table at the Ackland Art Museum in Chapel Hill where visitors could learn about Islamic, Jewish, Christian and other religious traditions and their art, and leave their own responses. Photographed 6 May 2002 by the North Carolina ECHO project.
North Carolina ECHO project photograph of 6 May 2002 showing an exhibit of Jewish art and artifacts in the Ackland Art Museum at the University of North Carolina at Chapel Hill.
Ackland Art Museum at UNC between 1970 and 1983, in three photographs: the cake cutting at its 25th anniversary celebration, students and a teacher at a light art exhibition, and the tomb of William Hayes Ackland. From the UNC Campus binder, Prints and Photographs Collection (CHHS.002).
Issued by the University of North Carolina at Chapel Hill in 1958, with a title devised by the cataloger, this folio concerns the William Hayes Ackland Memorial Art Center, the campus art museum. Topics include art museums and college buildings in Chapel Hill and the university's buildings more generally. Filed with the folios in UNC's North Carolina Collection.
Institutional records of the Ackland Art Museum at Chapel Hill covering 1937 to 2018, roughly 26,200 items in 42 linear feet, in the University Archives at UNC, collection 40064. Topics include art museum work in North Carolina, the teaching of art in universities, and the museum's directors, among them Joseph C. Sloane, Evan H. Turner, Charles W. Millard and Innis H. Shoemaker. The William Hayes Ackland Memorial Art Center is also represented.
Fifty six linear feet of papers from Joseph C. Sloane, 1909 to 1998, about 23,000 items, part of the Southern Historical Collection at UNC, collection 4204. Topics include the teaching of art at the university level, art museums in twentieth century North Carolina, the Ackland Art Museum, the North Carolina Museum of Art and the state Arts Council, and Sloane's years on the Bryn Mawr and Chapel Hill faculties.
Painted portrait of William H. Ackland, reproduced in an undated photograph. Ackland left his estate to found the art museum that bears his name at the University of North Carolina.
Sarah Schroth, curator at the Ackland Art Museum, in an informal undated photograph. Part of the Chapel Hill Historical Society's UNC Faculty and Administration photographs, CHHS.002.
A handbook to the Ackland Art Museum at the University of North Carolina, published by the museum in 1983 for its twenty-fifth anniversary. It combines a catalog of the collection with a history of the museum, which opened in 1958. Includes a bibliography on pages xviii to xx. 170 pages with illustrations, 22 cm.
Published guide to the collection of the William Hayes Ackland Memorial Art Center in Chapel Hill, the university art museum now known as the Ackland Art Museum, issued in 1971. The first volume covers paintings and selected sculpture, chosen and described by G. M. Hertzman, who submitted the work as a master's thesis at the University of North Carolina the same year. Illustrated, 25 cm.
An introduction to the collection of the William Hayes Ackland Memorial Art Center at Chapel Hill, covering the years 1958 to 1962 and illustrated throughout in 108 pages. Published by the center itself, with a spine title reading Ackland Art Center, the collection. An early catalog of what the university art center had gathered in its first years of collecting.
Exhibition catalog from the Ackland Art Museum at the University of North Carolina at Chapel Hill for a show on art, environment and community, presented September 13 through November 15, 1998. It is a competition exhibition of twentieth-century American art held in Chapel Hill. Twenty pages with color illustrations, published by the museum in 1998, a record of one season at the campus museum.
Catalog of the Ackland Art Museum's 1981 exhibition of traditional North Carolina pottery, held January 17 to February 22, with text by Charles G. Zug. Published by the museum at the University of North Carolina in Chapel Hill, 66 pages with illustrations, some in color, and a two-page bibliography.
Mary C. Sturgeon's catalog of ancient art in the Ackland Art Museum at the University of North Carolina at Chapel Hill, published by the university in 2015. The pieces come from across the ancient Mediterranean world, including Egypt, and are reproduced in color. A large format volume, 333 pages.
Catalog of works given to the Ackland Art Museum in Chapel Hill by the Tyche Foundation, published by the foundation in 2010. An illustrated record of one donor's gifts to the university's art museum, 72 pages, chiefly color illustrations.
Papers from three colloquies at UNC Chapel Hill's Ackland Art Museum between 2002 and 2004 for its Five Faiths Project, which asked how museums should present sacred objects from Hinduism, Judaism, Buddhism, Christianity and Islam. Contributors include Charles Haynes on religious liberty in museums, Richard H. Davis on a dancing Shiva, and Ray Williams and David Carr on teaching tools, with case studies on a spice box, a Shiva linga and a Burmese Buddha. Published by the Ackland in 2009, 249 pages, chiefly color illustrations.
Published for a show of Chinese black- and brown-glazed ceramics of the Song and Yuan dynasties from the collection of Eunice and Herbert Shatzman of Chapel Hill, shown at the Ackland Art Museum from October 2002 to January 2003 and then at Cornell's Johnson Museum of Art. Essays by Sherman E. Lee, Timothy Riggs on looking at pottery and Ellen Avril on glaze transformations accompany the color plates, with forewords by director Gerald D. Bolas and the collectors. 79 pages, 2002.
A survey of the collection of the Ackland Art Museum, the art museum of UNC-Chapel Hill, published by the museum in 2022. The Ackland opened in 1958 and now has more than 20,000 objects spanning some five thousand years of world art; this volume presents a selection in color as an introduction to the collection and to the museum's approach, summed up in its title, of looking closely and thinking widely. 311 pages, illustrated chiefly in color.
Catalog of the Tyche Foundation gift to the Ackland Art Museum, published for the exhibition at the University of North Carolina at Chapel Hill that ran from 22 May to 29 August 2010. Forty nine pages of illustrations and portraits, many in color, with fiction and poetry by Allan Gurganus written in response to works in the collection.
Exhibition book by Timothy A. Riggs for a 2009 show at the Ackland Art Museum in Chapel Hill drawn from John P. Eckblad's collection of prints depicting coal, iron and steam industry since 1750. The exhibition ran from January 24 to May 17, 2009. Fifty-two pages, chiefly color illustrations, published by the museum.
A 2005 Ackland Art Museum exhibition booklet on how prints communicate, represent and transform, covering works from 1482 to 2002. Published in Chapel Hill, 36 pages with color illustrations.
Ackland Art Museum exhibition booklet from 2003, subtitled 'reflecting on princely and priestly perfections'. Carolyn H. Wood contributes the title essay, with further pieces by Kathryn E. Lofton on classical gods and princely virtues and by Mary M. Welch on priestly perfections. Topics include Renaissance and Baroque European art. 20 pages with illustrations, some in color.
Carol C. Gillham's catalog of European drawings from the collection of the Ackland Art Museum at the University of North Carolina at Chapel Hill, published by the university in 2001. Topics include drawing in Chapel Hill and European drawing generally, for both catalog and exhibition use. 254 pages with illustrations, some in color.
Sherman E. Lee's 1997 catalog of Japanese art from the Ackland Art Museum at the University of North Carolina at Chapel Hill, covering painted screens, scrolls and ink painting. It served as a catalog of the collection and as a guide to the exhibition. Published by the museum, 35 pages with color illustrations.
Catalog of an exhibition of work by faculty artists of the University of North Carolina at Chapel Hill, shown at the William Hayes Ackland Memorial Art Center from October 8 to November 12, 1978. It concerns twentieth-century American art in Chapel Hill and note biographical entries for the artists. Published by the Center, 32 unnumbered pages with illustrations.
A catalog of the African sculpture and artifacts at the William Hayes Ackland Memorial Art Center, the art museum on the University of North Carolina campus in Chapel Hill. The university published it in 1977 in 92 pages with a bibliography at the end. Subjects include African art and sculpture in Chapel Hill and the center itself, treated as catalogs.
The catalog of an exhibition of work by art faculty of the University of North Carolina, shown at the William Hayes Ackland Memorial Art Center in Chapel Hill from August 29 to September 26, 1976. Twenty-seven unnumbered pages with illustrations. Topics include twentieth century modern art exhibitions, artists in Chapel Hill and the university's Department of Art.
Collection catalogue of the ceramics in the Joseph Palmer Knapp and William E. Shipp collections at the William Hayes Ackland Memorial Art Center, the university art museum in Chapel Hill. Published there in 1975 with Terrell George Allen credited, it covers China trade porcelain and American pottery from the two private collections and closes with a bibliography on leaves 99 to 107.
Gay Mahaffy Hertzman's 1971 catalogue of the collection of the William Hayes Ackland Memorial Art Center, the university art museum in Chapel Hill now called the Ackland Art Museum, printed by Herzig Somerville. William Hayes Ackland (1855 to 1940) left the bequest that founded the museum.
Emily Kass introduces this 2014 Ackland Art Museum publication accompanying an exhibition of modern art from the private collection of Joseph F. McCrindle, shown in Chapel Hill.
Catalog for a 2011 Ackland Art Museum exhibition of twentieth and twenty first century German art from the private collection of James Keith Brown and Eric Diefenbach. Subjects include Bernd and Hilla Becher, Joseph Beuys, Gerhard Richter, Sigmar Polke, Andreas Gursky and Thomas Struth among the artists shown in Chapel Hill.
Companion volume on the early modern European art in the Ackland Art Museum at Chapel Hill, written by Carolyn Allmendinger and Carolyn H. Wood and published by the museum in 2010. Topics include art museums in Chapel Hill and European art. Like its nineteenth century counterpart, it draws on works the university museum already owned.
Timothy A. Riggs wrote this 2010 volume on the nineteenth century European art in the Ackland Art Museum, the art museum of the University of North Carolina at Chapel Hill, which published it. One of a pair of Art and Ideas titles drawn from the museum's own collection, it concerns art museums in Chapel Hill and European art of the 1800s.
The 2009 newsletter of the Ackland Art Museum at the University of North Carolina at Chapel Hill.
An exhibition book on South Asian sculpture in the Ackland Art Museum at the University of North Carolina at Chapel Hill, published by the museum in 2006, including Gandhara and Indic sculpture and images of Indic gods. Pika Ghosh writes on studying the collection and on divine presence in the works; Janice Leoshko takes up why early South Asian sculpture matters, Darielle Mason the fragments of North Indic temples, and a further essay covers South Indian sculpture. 167 pages, chiefly color illustrations, with maps.
A 2004 newsletter of the Ackland Art Museum at the University of North Carolina at Chapel Hill, published under the title At the Ackland.
Melanie Bailey's 2002 catalog for an Ackland Art Museum exhibition in Chapel Hill on nineteenth century French academic art and the studios of its painters.
Sarah Schroth's 1995 catalog for an Ackland Art Museum exhibition of miniature painting from India, shown at the University of North Carolina at Chapel Hill.
Checklist for the Ackland Art Museum exhibition of George Nick's Chapel Hill paintings, shown from August 29 to November 7, 1993. Thirteen paintings had been commissioned by the museum in 1990 and underwritten by the university's Bicentennial Observance Office, and eleven of them show Chapel Hill. A single folded sheet with color illustrations.
Newsletter of the Ackland Art Museum at the University of North Carolina in Chapel Hill, published by the museum with the run here dated 1984. It is a periodical on art in Chapel Hill and on the museum itself.
Publication of the William Hayes Ackland Memorial Art Center, the university art museum in Chapel Hill, presenting highlights of its collection. Issued by the center in 1978. Topics include art museums in Chapel Hill along with the Ackland itself.
Susan J. Rosefielde's 1976 catalog of the African sculpture and artifacts in the collection of the William Hayes Ackland Memorial Art Center at Chapel Hill. Topics include African art and African sculpture in Chapel Hill in catalog form, and the work ends with a bibliography on leaves 84 to 92.
Ackland notes carried studies of individual objects in the collection of the William Hayes Ackland Memorial Art Center at the University of North Carolina in Chapel Hill, with each issue written by a different author. The run recorded here dates from 1974. It is an art museum periodical, of use for tracing particular works in the collection.
Catalog of the First Decade of Collecting exhibition mounted by the William Hayes Ackland Memorial Art Center in Chapel Hill from November 2 to December 21, 1969. Research is credited to former curators Gay M. Hertzman and Gaillard F. Ravenel III.
Published by the Ackland Art Center at the University of North Carolina in 1969 for an exhibition of First World War propaganda posters, selected from the Bowman Gray collection of materials on the two world wars, part of the university library's Rare Book Collection. One unnumbered illustrated volume, 31 cm.
Notes on art and art museums issued in 1967 by the William Hayes Ackland Memorial Art Center at the University of North Carolina at Chapel Hill.
Catalog for an exhibition of medieval art held from April 28 to May 20, 1961 at the William Hayes Ackland Memorial Art Center in Chapel Hill.
The annual report of the Ackland Art Museum at Chapel Hill, issued by the museum with 1949 as the date in this record and described as a periodical, so the report belongs to a continuing run. Its subjects are the Ackland and art museums in Chapel Hill. A source for the early institutional history of the university's art museum.
An educational handout from the Education Department of the Ackland Art Museum in Chapel Hill, made to bring modern art within reach of visitors. Dated 1949, it draws on what modern artists said about their own work and concerns twentieth century American art exhibitions in Chapel Hill and artist biography. Museum interpretation for a general audience.
Archived captures of the website of the Ackland Art Museum, the art museum on the University of North Carolina campus in Chapel Hill, preserved by the Internet Archive. Art museums and college art museums in Chapel Hill are its subjects.
Newsletter issued from Chapel Hill beginning in 1979, with a cover line about serving Orange County since 1970. Volumes, 28 to 35 cm.
Exhibition catalog from the Ackland Art Museum at the University of North Carolina at Chapel Hill, published with a show of the same name that ran from September 9 to December 4, 2011. Peter Nisbet gathered modern and contemporary art lent by alumni collectors across 150 years of the university. 212 pages with color plates and one foldout.
Quarterly newsletter of the Ackland Art Museum at the University of North Carolina at Chapel Hill, dated 1995. Issued by the museum in illustrated volumes measuring 38 centimeters.
Twelve volumes of the Ackland, the newsletter of the Ackland Art Museum at the University of North Carolina at Chapel Hill, issued by the museum in illustrated 28 cm volumes and dated 1990.
Catalog of an exhibition of Douglas Gorsline's illustrations for Thomas Wolfe's Look Homeward, Angel, shown at the Ackland Art Museum in Chapel Hill from March 29 to May 31, 1998, and later at the Memorial Art Gallery in Rochester and the Asheville Art Museum. Essays by Timothy A. Riggs on Gorsline's work for the novel, Wilma Dykeman on Wolfe and Asheville, and Marie Via on the illustrator's changing vision; drawn from UNC's North Carolina Collection. 44 pages with illustrations, 1998.
Gathered exhibition catalogues and gallery handouts from the Ackland Art Museum, the art museum of the University of North Carolina at Chapel Hill, dated 1980.
Exhibition catalog for the art department faculty show mounted at the Ackland Memorial Art Center in Chapel Hill from October 17 to November 7, 1971. Like the center's January exhibition of the same year, it gathers current work by teachers in the department at the University of North Carolina. Subjects include twentieth century American art at Chapel Hill.
Catalog of a faculty exhibition at the William Hayes Ackland Memorial Art Center in Chapel Hill, showing work by members of the art department at the University of North Carolina from January 19 to January 31, 1971. Topics include twentieth century American art in Chapel Hill and artists working in North Carolina.
A 1970 picture book from the William Hayes Ackland Memorial Art Center on art at the University of North Carolina at Chapel Hill and the work of its art department. Twenty three pages, chiefly illustrations, with art in North Carolina as the wider subject.
Catalog of an exhibition of student work from the Department of Art at the University of North Carolina at Chapel Hill, printed in 1964 with illustrations across fourteen unnumbered pages. It comes with a fifteen page booklet on the study of art at the university, and the cover credits the William Hayes Ackland Memorial Art Center. Subjects include twentieth century American art.
Introduction to the collection of the William Hayes Ackland Memorial Art Center, the art museum at the University of North Carolina at Chapel Hill, published by the Ackland in 1962.
Gathered exhibition catalogues and handouts from the William Hayes Ackland Memorial Art Center, the university art museum at Chapel Hill, with 1958 as the date given.
Not about Ackland Art Museum alone: the architectural surveys that cover its town or the county, and maps drawn while it stood. Several of the surveys can be read free online at NC Digital Collections.
Margaret Ruth Little-Stokes's survey of Chapel Hill's town and campus buildings from 1795 to 1975, published by the Preservation Society of Chapel Hill in 2006. Chapters run from the first campus buildings through David Swain's romantic campus to midcentury modernism, followed by area surveys of the campus, east and west Chapel Hill, downtown, Northside and the suburbs.
M. Ruth Little's 2004 architectural history of Chapel Hill and the university campus from 1795 to 1975, written for the Preservation Society of Chapel Hill. A 99-page survey with a bibliography.
M. B. Gatza's final report of the 1992 Chapel Hill historic sites survey for the town Planning Department, with contributions by Beverly C. Kawalec and Catherine Bishir. It covers historic buildings and districts in Chapel Hill in 80 pages.
Street and property map of Chapel Hill and the surrounding country, revised to 1 January 1933 and printed in the town. Topics include streets, real property and the historical geography of Chapel Hill along with maps of the University of North Carolina in its 1793 to 1962 period. A useful sheet for tracing lot lines and street names as they stood at the start of the 1930s.
Found a book OCPL doesn’t own? You can often borrow it through interlibrary loan at OCPL.
These books don’t necessarily mention Ackland Art Museum, but they cover where it stands, its kind of building and the land, family and burial records behind it, and they are where a search for a place like this usually goes next. All are at OCPL, most in the Wall Collection.
Steven Stolpen's pictorial history of Chapel Hill, one of the Donning Company's photographic town histories, published in Norfolk, Virginia in 1978. Photographs and portraits carry the story of the town and the university, including references to Thomas Wolfe's years as a student at Carolina. 156 pages with illustrations.
Elizabeth Shreve Ryan's combined histories and tour guides for Hillsborough, Chapel Hill and Carrboro, the three towns of Orange County, with the University of North Carolina treated alongside Chapel Hill. Each town gets a narrative history and a tour of its streets and buildings. Published by Chapel Hill Press in 2004, 369 pages with illustrations and maps.
Catherine W. Bishir and Michael T. Southern's field guide to the historic buildings of the North Carolina Piedmont, arranged county by county from Wake and Franklin in the east to Mecklenburg and Gaston in the west. The Orange County section takes in Hillsborough, Chapel Hill and Carrboro along with the rural county, with entries on individual buildings and maps for finding them. Published 2003, 596 pages with illustrations and maps.
A pocket-sized guide to the historic buildings and landmarks of Chapel Hill, prepared by the Chapel Hill Historical Society and printed by Creative Printers in 1973. Forty pages with illustrations and maps, 14 by 22 cm. Topics include architecture, historic buildings and historic districts in Chapel Hill, and the guide is useful for a walking tour of the older parts of town.
Background from selected state and local sources
Newspapers, photographs, and records of the time
Other catalogs, databases, and guides worth searching
Local organizations that preserve the story and can help you go further
Other sources to search and local organizations that can help.